Buzz marketing
Buzz marketing
Buzz Everest:
What is Buzz Everest?
And why climb it?
Buzz Everest is making buzz history. Buzz Everest represents achieving the
pinnacle of buzz— transforming your brand by doing things no one else has been able to
do. Reaching the pinnacle means generating hundreds of news stories that start
conversations all across the country.
Buzz Everest is achieving what 99 percent of your competitors would never even
attempt. Conquering Buzz Everest is a feat that few will ever attempt, much less achieve.
Buzz Everest is treacherous—it’s easy to fail if you don’t plan and if you don’t have
courage and faith in your own abilities, and if you don’t have follow-through.
But if you conquer Buzz Everest, you will experience the greatest feelings of
achievement and realize the greatest amount of buzz—beyond your wildest dreams. Best
of all, the payoff from Buzz Everest is huge.
Buzz Everest is when Pepsi created the Pepsi Challenge, and spent millions of
dollars on research to prove that “more Coke drinkers prefer the taste of Pepsi.” Buzz
Everest is convincing a town to rename itself and thereby putting your brand on the map
of the U.S.A. But Buzz Everest is more than just creative thinking outside the box; it
happens by increasing the size of the box and reinventing your company or product with
a story that, to most people, is unimaginable.
In today’s marketing environment, everyone is following a similar path. The traditional
path will get only traditional results. And traditional results mean performing the same as
everyone else—being satisfied with mediocre or average levels.
If mediocre is good enough for you, stop reading right now. But if you want to
experience exquisite and breath-taking results, that’s what we’re going to look at in the
next few pages.
There are two reasons to climb and reach the top. First, you’ll prove yourself to be
smarter and more creative than others in the profession of marketing. This alone will
capture consumer and media attention. But the second reason proves to be far more
important. The second reason to climb Buzz Everest is because customers will know that
what you have done can’t be replicated by your competitors. And customers will respond.
In the Pepsi Challenge, Pepsi spent several million dollars in research and endless inperson
surveys to justify their claim about Coke drinkers preferring Pepsi. If Coke tried
to replicate the research, by the time they finished it would have been too late. Climbing
Buzz Everest puts you in a unique position that few of your competitors can ever reach.
Buzz Everest Saves a Doomed Brand
The story of RIT Dye is a story of how climbing Buzz Everest saved a doomed brand.
RIT Dye?
For several years, I’ve had the good fortune of being the owner of a Bernese Mountain
Dog. Just about every day, I walk my Bernese on the college grounds in the eclectic little
town of Swarthmore, Pennsylvania. One day there I met a fascinating man by the name
of Don Price, who has an Alaskan Malamute. Through walking our dogs together, we got
to know each other.
I was already working on this book; he asked me to tell him some of the
principles and after my very quick synopsis, he said, “You know…that’s exactly the
approach I used with RIT dye.”
I had never heard of the product.
Don Price then told me one of the most fascinating stories I’ve ever heard. It turns
out that he was the man who made tie-dye what it is today. But he didn’t popularize it
through TV, radio, or print. He didn’t do it through multi-level marketing. In fact, he did
it with zero advertising dollars. In my terminology, he did it by climbing Buzz Everest.
It Started Out Dandy
In the early 1960’s, Don went to work for Best Foods, a prominent consumer brand
company with products like Hellman’s Mayonnaise, Entenmann’s Cookies, Arnold
bread, Thomas’ English Muffins, etc.
It was a prestigious company, and Don had the good fortune of being hired as brand
manager for a marquis brand—Hellman’s. He was given a coveted corner office in their
New York City headquarters, and he was ready to lead Hellman’s mayonnaise to a higher
stratosphere. His job at Best Food started out just dandy.
But he immediately found his new, high profile position to be disappointing. His
superiors told him that they loved him, but Hellman’s was too big a brand to mess up. All
the real decision making took place at higher levels—not at his level. “Then what do I
do?” he asked. They admitted that he would not be doing very much.
Don was a sharp, bold thinker and quickly proposed the following to his superiors
at Best Foods: “Since I’m not going to have much decision making responsibility because
of the importance of the Hellman’s brand, do you have any low-profile brands I could
run? You know…brands I can manage on my own. Brands you could care less about if I
screw up?”
“Oh, heavens, yes, we’ve got dozens of those!” he was told. So shortly thereafter,
Don Price was put in charge of an odd little brand called RIT dye.
A Brand With No Future
At the time, RIT dye was a powdered product used primarily by older women to color
things like drapes, furniture coverings, etc. The dye was sold through supermarkets, craft
stores, and chains like Woolworth’s. Its market share was abysmal compared to the
leading brand, Tintex. Overall, the brand was dying because its rapidly aging consumers
were dying and so no longer dyeing; (sorry—couldn’t resist).
In summary, RIT dye had all the ingredients of a dead end: declining sales trends and an
entrenched competitor with huge market share.
It was a brand with no future.
But it sold for about forty-nine cents back in the 60’s and cost only seven cents to
make. It was clear that the only thing RIT dye had going for it was a healthy profit
margin.
Don lobbied for advertising dollars to revitalize the RIT dye brand, only to be
summarily denied. Management told him, “You can spend all the time you want on RIT
dye, but you have zero dollars for advertising!” His easy path was blown up. So Don was
faced with the only other choice. He had to climb Buzz Everest.
Maxim #1: Find Your Buzz Everest and Climb It!
Okay. No advertising dollars meant no traditional marketing approach. Management
respected Don, so they were willing to let him do whatever he wanted with RIT, as long
as it didn’t involve advertising expenses. One of his first stops was to the research and
development guys.
It was rare for R&D guys to see someone from marketing so frequently—most of
the marketing honchos were out spending company money. Don’s angle, though, was to
find an entirely new use for RIT dye. Cataloging all the possible uses for dye, one of the
researchers found that it was used in Africa and India to decorate and imprint clothing.
The process was called tie-dye (but very different than the tie-dye we see today in
America). African and Indian tie-dye had very symmetrical, repeated patterns, almost as
if done on a printing press. There might be some international opportunities, but Don
decided he would bring the tie-dye process to America. If it caught on with a younger
audience, maybe increased sales would reflect the youthful market.
But how? How could he influence Americans to use this ancient process still
widely used in Africa and India? This was in the early 60s, when news was spreading of a
fast-growing hippie movement. Psychedelic colors were becoming the rage, and the
hippies might actually be a market segment interested in using psychedelic dyes to tiedye
their individualistic garb. In New York City, Greenwich Village was the area for
opinion leaders and influencers of the hippie movement. So Don went to Greenwich
Village to get a feeling of whether he might be able to stimulate interest in tie-dye.
He found artists who were willing to experiment with the tie-dye process. They were
enthusiastic, but the process was rather messy as multiple colors mixed and leaked. Don
went back to the researchers and convinced them to package the dye products in no-mess
liquid dispensers that could be squeezed onto fabric. For example, by keeping the colors
from running together, a garment could have yellow dye in the center, with purple swirls
around it.
Using this new RIT dispenser, artists were able to create the multicolor designs
they desired with ease and without mess. So artists, opinion leaders, and influencers took
to tie-dying almost as if it were a new psychedelic substance. Janice Joplin began
wearing tie dye and was even rumored to wear tie-dye panties—all made using RIT dye
in the new container.
Although it was exciting to have the likes of Janice Joplin getting intimate with
the RIT dye brand, tie-dye was confined to a small circle of users and wasn’t expanding.
Trying to figure out how to spread the tie-dye phenomenon, Don Price invited several
fashion editors to Greenwich Village. His hope was to show them that tie-dye was
catching on in the Village, and have them endorse it as the next new fashion trend in their
articles.
The Madison Avenue editors told Don that the tie dye fad was just a Greenwich
Village thing. Although that was where life was shaking free in New York, as far as the
editors were concerned, what happened in the Village had no real impact on fashion
trends in general.
For Don, Buzz Everest was getting steeper.
The message Don got from these upscale editors was that it took three key elements to
spread any trend—
It had to be associated with something big, something newsworthy
It had to catch on in middle America
It had to be the fashion (meaning truly fashionable, not just a fad)
About this time, Don told me, his Greenwich Village hippies heard about a musical
gathering that was to take place in rural Woodstock, New York. They grasped that it was
going to be a big event, and probably memorable. Nobody could have imagined just how
big and how memorable.
Two of the well-known artists in Greenwich Village asked Don if they could tiedye
several hundred T-shirts to give away at Woodstock. They said they would need a
dryer to make that many in such a short amount of time. Don had salted away enough
money in his corporate budget to pay for a dryer and several hundred T-shirts. And so,
the project began. Tie-dye T-shirts lined a loft space the size of a football field, hanging
from criss-crossed clotheslines, taking up every inch of space.
To the droves of people ended up coming to Woodstock, the tie-dye T-shirts were
eye-catching. The idea caught on…big. Joe Cocker wore tie-dye at Woodstock. Mama
Cass wore tie-dye. Janis Joplin wore tie-dye. Tie-dye became a symbol of antiestablishmentarianism.
It was a visual statement of “I’m young and independent,” and
most importantly it was your shirt. No one else could have the same shirt as you. It was a
statement of being an individual. And the cause of individualism was the biggest thing in
America in the 60s.
Right after Woodstock, sales of RIT dye began to increase, reversing the prior
trend but not skyrocketing. Don’s project had caught on with Woodstock. But the danger
was that RIT dye would be riding the coat-tails of a fad that would quickly fizzle out. He
had to move tie-dye into the realm of fashion, and figure out how to make it catch on in
middle America.
So Don began pitching a tie-dye fashion line to designers in New York City. He
was rejected by twenty-three designers. But he found one who saw possibilities, and that
one was a biggie: Halston. The top of Buzz Everest looked like it might be in sight.
Halston was a master of buzz himself. He designed hats for many celebrities including
Jackie Kennedy. But hats were going out of style in the early 60s, and he was looking for
his next fashion statement. Halston liked the tie-dye concept, liked the line, and took a
chance on it. Halston sold his tie-dye to the likes of Cher, Catherine DeNeuve, and Ali
McGraw. Soon enough, Ali McGraw was featured on the cover of a major national
magazine…wearing tie-dye. Shortly after, Halston began using the tie-dye motif in many
of his department store boutiques, and tie-dye took off as a bona fide fashion.
A big and buzzworthy fad at Woodstock. Then as a fashion with Halston. Middle
America would become Don’s next step.
How much more Middle America can you get than the Girl Scouts? Don took the idea to
the Girl Scouts to create a tie-dye merit badge (not your typical marketing path). Sure
enough, several months later, there was a Girl Scout tie-dye merit badge. There were also
several appearances on shows like Captain Kangaroo to capture Middle America.
A Long Way To The Top of Buzz Everest
In essence, tie-dye started as the antithesis of traditional marketing in corporate America
(e.g., Hellman’s mayonnaise). Give most brand managers the option of a job as brand
manager for Hellman’s mayonnaise or for RIT dye, most would choose the easy path of
Hellman’s. It would be a great job: no hard work, don’t rock the boat, and you’ve got it
made. Don, however, took the hardest assignment anyone could imagine: dying sales, a
huge competitor, and a dying installed base of customers.
He ended up climbing Buzz Everest for RIT. By reviving RIT dye through nontraditional
means, he achieved multiples more than if he had been given a huge budget
for traditional advertising. Taking the traditional path would have produced traditional
results. Don did things brand managers don’t ordinarily do. Instead of taking the much
easier path, he chose a path that brought him the exhilarating experience of climbing
Buzz Everest. And not only did he transform a loser into success by making tie-dye what
it is today but he has made himself one of heroes of modern day marketing.
Maxim #2: Take The Risk
In any business, if you want to see a huge difference in results, you’ve got to take big
risks and do things like climbing Buzz Everest. You’ve got to be realistic when choosing
your marketing direction. Traditional marketing is something your competitors can
replicate. Traditional marketing will produce average results. Average results don’t build
careers, average results don’t increase market share, and average results don’t skyrocket
profits. Climb Buzz Everest. It will make all the difference.
Climbing Buzz Everest requires resourcefulness, follow-through, patience, and faith.
Buzz Everest is typically pursued in the face of adversity…when you’ve got nothing to
lose.
But only rarely do you find companies willing to climb Buzz Everest when things are
going fine. You’ve got to extricate yourself from the traditional path—the easy path. But
turning your back on tradition carries extra risk. What if it fails? How will that reflect on
you as a manager or a businessman? Yet you can’t eliminate risk and have break-away
growth.
A New Attitude Toward Fouls
Most managers want huge results with little risk. It just doesn’t work that way. You’ve
got to encourage risk-taking without penalty. Americans by nature hate to lose. We’re
willing to take risks when there’s little downside, especially if we can see a huge
potential upside. But when things are going fine…we shy away from taking risks. Not a
good idea!
In corporate America, too often it’s one foul and you’re benched. But in the NBA,
every player is allowed five fouls per game. Company managers and executives should
be establishing a five-foul rule, and making it known to everyone.
Think about how some of the most successful coaches in the NBA view fouls. If LeBron
and Kobe end the game with zero fouls—you know they’re not playing aggressively. You
know they’re not playing their best game. If they end the game with four fouls, they’ve
pushed it to the limit…and chances are they’ve scored more points, gotten more
rebounds, and gotten more steals. Once in a while, you foul out. That’s part of the game.
Winners know one thing all too well—you’re not going to win every game.
Let your players (employees) get their fouls. Innovations will come faster, sales will be
higher, and you’ll learn from failures. At Johnson & Johnson, R.W. Johnson, Jr., used to
say “failure is our most important product.”i Create a foul-allowed environment where
you can contemplate climbing Buzz Everest …and then enjoy the climb.
Remember the traditional path is risk-free, but it will produce average results, average
market share, and average profits. Unless you climb Buzz Everest, you may never know
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